米亚·科托（MiaCouto），莫桑比克作家、生物学家，还曾是一名经验丰富的新闻记者，出版作品30多部，被译成23种语言，长篇小说《梦游的大地》入选“20世纪最伟大12部非洲小说”；2013年，获葡语文学最高奖项卡蒙斯文学奖；2014年，获纽斯塔特国际文学奖；也是近年来诺贝尔文学奖最有力的竞争者之一。 张晓非，从事高校葡萄牙语教学及翻译工作20余年，曾任北京外国语大学西班牙语葡萄牙语学院副教授、硕士生导师，现供职于澳门大学葡文系。翻译出版多部葡语文学作品，译有萨拉马戈、克拉莉丝·李斯佩克朵、阿古斯蒂纽·内图等著名葡语文学作家的作品。译作《去野外》获得2017年中国国家图书馆“文津图书奖”。

Laura Diaz is a passionated character, intimately connected to many historical events. Through her story, Carlos Fuentes writes the journal of the Mexican twentieth century, supporting his novel with facts and characters that define the shape of today's Mexico. Description in Spanish: A través de la historia de un personaje entrañable que es testigo de los acontecimien...(展开全部)

Laura Diaz is a passionated character, intimately connected to many historical events. Through her story, Carlos Fuentes writes the journal of the Mexican twentieth century, supporting his novel with facts and characters that define the shape of today's Mexico. Description in Spanish: A través de la historia de un personaje entrañable que es testigo de los acontecimien...(展开全部)

For Alain Badiou, films think, and it is the task of the philosopher to transcribe that thinking. What is the subject to which the film gives expressive form? This is the question that lies at the heart of Badiou's account of cinema. He contends that cinema is an art form that bears witness to the Other and renders human presence visible, thus testifying to the universal value ...(展开全部)

For Alain Badiou, films think, and it is the task of the philosopher to transcribe that thinking. What is the subject to which the film gives expressive form? This is the question that lies at the heart of Badiou's account of cinema. He contends that cinema is an art form that bears witness to the Other and renders human presence visible, thus testifying to the universal value ...(展开全部)

简介：不喜勿喷，封面AI生成的，是作者做梦梦到的产物

Gilles Deleuze has produced some of the most important -- and most formidable -- theory on cinema to appear in the last half-century. Deleuze on Cinema provides a thorough and reliable guide to Deleuze's thought on the art of film, elucidating in clear language the shape and thrust of Deleuze's arguments found in his influential books on cinema.

Gilles Deleuze has produced some of the most important -- and most formidable -- theory on cinema to appear in the last half-century. Deleuze on Cinema provides a thorough and reliable guide to Deleuze's thought on the art of film, elucidating in clear language the shape and thrust of Deleuze's arguments found in his influential books on cinema.

作者簡介 Katarzyna Joanna Cwiertka 專精日本現代史，對日本料理的歷史發展研究已超過十年，本書便是這十年的累積成果。作者為波蘭人，於日本筑波大學取得碩士學位，一九九九年荷蘭萊頓大學畢業，其博士論文即以現代日本飲食傳統為題，目前在任教於萊頓大學日本學系與韓國學系，亦是萊頓大學東亞研究中心(MERAC)研究員。作者的研究範圍近年亦擴大到韓國，關注物質文化與消費、戰爭與殖民，以及食物歷史與人類學議題。 譯者簡介 陳玉箴 台大政治系、政大新聞所畢業，曾在媒體任職三年，目前在荷蘭萊頓大學攻讀博士，研究主題為台灣近現代飲食史。譯有《媒介概念十六講》、《媒介與傳播研究法指南》、《論文計劃與研究方法》等書(韋伯文化出版)。著有《在布拉格唱情歌》(葉子出版)。

In his astute and deeply informed film reviews and essays, Jonathan Rosenbaum regularly provides new and brilliant insights into the cinema as art, entertainment, and commerce. Guided by a personal canon of great films, Rosenbaum sees, in the ongoing hostility toward the idea of a canon shared by many within the field of film studies, a missed opportunity both to shape the disc...(展开全部)